ORCHESTRA SOUND PODIUMS

The Resonanzio Orchestra Sound Podiums with their transparent sound and clear articulation work especially well for harps and cello/bass sections. Through their different shapes, heights and colors the podiums can be used in many flexible ways, and they are an ideal complement to every concert hall, church or orchestra pit.

 

The orchestra sound podiums are specially constructed to deliver a clear and focused sound. The player's self-perception is more easily achieved, and additionally, the group sound is more compact and clearly audible

 

These are orchestras are playing on the Resonanzio Orchestra Sound Podiums:

 

London Symphony Orchestra

Philharmonie Luxembourg

Freiburg Baroque Orchestra

The Deutsche Kammerphilharmonie Bremen

Kammerakademie Potsdam

Philharmonisches Orchester Würzburg

Duisburger Philharmoniker

Dortmunder Philharmoniker

Tonhallen-Orchester Zurich

Gürzenich Orchestra Cologne

Munich Sinfonie Orchestra

Kammerorchester Basel

and more

Height:

9 cm or higher

Measurements of rectangle shape:

90 cm x 140 cm

Measurements of the trapezoid shape:
Back: 100 cm
Front: 80 cm
Length: 133 cm

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»References«

Thierry Gavard

Principal bass player of Philharmonie Luxembourg

 

 

 

»Since beginning of last season our bass section is playing on the Resonanzio sound podiums. It's unbelievable how our sound has improved, how easy the playing is, and how simply better our section sounds.
After a few tests with different podiums (including copy attempts ) we are sure the Resonanzios are the best.
Now after a while I just want to let you know how happy we are with them!«

Stefan Preyer

 Principal Bassplayer Kammerorchester Basel

 

 

»The Kammerorchester Basel has tested the Resonanzio soundpodiums, and we have made very good experiences with them. So we decided to buy them and are very happy with them. The sound of the Cello-Bass section becomes more transparent, and I feel more able to variate my playing, because I can perceive my own sound much better.

Our orchestra often plays standing up, and the cello-section becomes present by playing on the Resonanzio, visual and audible.

These sound-podiums should be a equipment in each concert-venue in the future!«

 

 

Diego Zecharies

Principal Bassplayer (Orchestra Sinfonica de Galicia) and Soloist

 

 

 

 

"...and you can allow yourself to play less because you know that you are audible all the time. It was beautiful!"